Ep 26-Dave Hall on Building Confidence

Dave Hall is a versatile songwriter and composer who writes in several different styles, from acoustic/singer-songwriter, to country, musical theater, contemporary classical, and even Middle Eastern. Known for his witty and poetic lyrcis, Hall has released several CDs to critical acclaim. His music has been placed in television, film and theater. Originally from the Hudson [...]

Ep 25-Aprille Janes on Writing Better Bios

In 2003, after 20 years as a successful business consultant, Aprille threw away her corporate suit to work with creative entrepreneurs. Today she helps them leverage the power of story for sales and marketing so they create honest connections and build successful businesses. Her clients achieve success doing what they love while making a great [...]

Ep 24-Gregory W Brown on Doing Music Full-Time

Gregory W. Brown lives and works in Western Massachusetts. He holds degrees from the Hugh Hodgson School of Music (University of Georgia), Westminster Choir College, and Amherst College, where he studied with the Pulitzer Prize-winning composer Lewis Spratlan. His recent commissions for vocal ensemble New York Polyphony have been heard on American Public Media’s Performance [...]

Ep 23-Jake Runestad on Learning from Other Composers

Considered “highly imaginative…with big ideas” (Baltimore Sun) and “stirring and uplifting” (Miami Herald), award-winning composer Jake Runestad (b. 1986) has received commissions and performances from leading ensembles and organizations such as Washington National Opera, the Netherlands Radio Choir, the Louisiana Philharmonic Orchestra, Seraphic Fire, the Dayton Philharmonic Orchestra, the Virginia Arts Festival, the Rockford Symphony [...]

Ep 22-Peter DiMuro on Speed Dating Composers

Peter DiMuro has woven a career as a choreographer, director, teacher, facilitator and arts practitioner/engager, touring and teaching internationally from Honk Kong to Pigeon Forge, TN. His Peter DiMuro Performance Associates and his fifteen-year collaboration, including 5 years as Artistic Director, with Liz Lerman Dance Exchange laid the foundation for his current creative umbrella, Public [...]

Ep 21-Rusty Banks and Giving People an Experience

Rusty Banks is a composer/guitarist born in Jasper, Alabama and living in Lancaster, Pennsylvania. His compositions have been performed in China, Taiwan, France, Italy, Belgium, Canada, Mexico, and throughout the United States. Besides writing concert music for ballet, orchestra, wind ensemble, and other acoustic ensembles, Rusty designs pieces that use traditional performers, user-end electronics, and [...]

Ep 20-Michael Torke on Synesthesia, Intellectual Pursuits, Writing for Self-Glory, and Being Debt Free

The music of Michael Torke has been called "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" (Gramophone). Hailed as a "vitally inventive composer" (Financial Times) and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" (New York Times), Michael Torke has created a [...]

Ep 19-Q&A Commissions and Writing a Piece They Like

Two questions are answered today, and this time by the composers who have shared their insights on Composer on Fire episodes before. The questions: What do I do if the people who commissioned the music don't like it? I haven't commissioned commissioned anything because it will cost a lot of money and I'm not sure [...]

Ep 18-Gregory Spears on Putting Together Commissions and Writing Full Time

Gregory Spears writes music for modern and period instruments that blends aspects of romanticism, minimalism, and early music.  His work has been called “astonishingly beautiful” (New York Times), “coolly entrancing” (The New Yorker), and “some of the most beautifully unsettling music to appear in recent memory.” (The Boston Globe) Much of his work involves period [...]

Ep 17-Jason Eckardt on Music Business, Objectivity, and Visualizing the Music

Jason Eckardt played guitar in jazz and metal bands until, upon first hearing the music of Webern, he immediately devoted himself to composition. Since then, his music has been influenced by his interests in perceptual complexity, the physicality of performance, political activism, and self-organizing processes in the natural world. He has been recognized through commissions, [...]